Into to Poetry: Day 9

For Day 9 of Intro to Poetry, the prompt or topic to address is “landscape.” The poetic device suggested is apostrophe. An apostrophe is like a passage directed at a specific person or thing. The poet speaks directly to Harry or the cat or even a spoon.

The poem below came a bit too easily, and I admit to spending too little time making it flow smoothly. While trying to describe the island, I directed my words to it. So, I used apostrophe, I suppose. Whether or not I got things right… well, you be the judge.

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My Island Smile

Upon mattress of wave-washed, rounded crushed shell

You welcome my beach towel and warm it well.

Your cerulean skies meet turquoise and emerald

Waters off-shore as I read through the Herald.

In winter, you cool my skin with your breezes.

In summer, the ‘fridge barely ice cubes freezes;

Yet you cool me e’en at the crest of mid-day

With the salt-kissed air flow you send my way.

Your palm trees wave gently as though they sway

To Caribbean music, so soft from the bay.

Thirty-se’en beaches, each unique on your mantle

Lay like rough gems on a jewel-cloth of samples.

Your flowering vines and shrubs and trees

Dance to music bare heard. Yet I feel

The pounding of waves eighteen miles away–

From Orient Beach to Lagoon’s inner bays.

Hummingbirds flitter around your crown

Of flower-strung hills that circle around.

Isle of St. Martin, you are home to me now.

Continue to smooth my old wrinkled brow.

Continue to warm me in sun-drenched embrace;

Continue to hold me with tension-free days.

Continue to be a bright, friendly isle.

Continue to be the lithe curve of my smile.

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Intro to Poetry: Day 8

For Day 8 of Intro to Poetry, the topic is Pleasure. The device to employ is either anaphora or epistrophe. Both involve word repetition–anaphora at the beginning of lines, epistrophe at the end of lines. 

In the poem below, I have set aside the anaphora and epistrophe for another day. It was difficult enough to come up with things to say about a series of books by a very funny author who passed away over a year ago. His name was Terry Pratchett. These books have given me a great deal of pleasure over the years, and have provided me with humor when there was little to smile about. My poem attempt is a lowly little tribute to the art of a great writer, the Discworld he created, and the pleasure he has brought me.

*

The Discworld’s Stories

The smiles they elicit, the laughter they breed,

Every disaster a lesson indeed.

The magic is subtle, the living is rough.

More than 40 great books, but still not enough.

Terry Pratchett is gone now, no new Discworld tales,

Though his books live forever in readers’ regales.

There’s Granny and Rincewind,  and wiley Ridcully,

Befuddled old Death, and dark Vetinari;

Old Nanny, Tiffany, Grebo the cat,

There’s The Luggage, also a “wizzard”-ly hat.

There’s Watch Captain Vimes and his wife, Lady Sybil,

The Librarian, Cut-Me-Own-Troat Dibbler,

Adopted dwarf Carrot, and Colon and Noby, 

And werewolves and vampires, and zombies. There be

Goblins and dwarves and fairies and spirits,

Old-fashioned chores and failures and merit.

A world flat as a pancake with a river of slurry.

Many more characters, so many stories.

The knighted satirist has long gone away,

Yet left us his stories to pass merry days.

RIP, Terry Pratchett. 

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Intro to Poetry: Day 7

Topic: Flavor

Suggested form: Found Poetry

Today is one with little time left for personal pursuits. Found Poetry, or recreating words, phrases, sentences, verse lines from one or many available sources to create a new poem using these, … well, I just don’t have the time to research and cobble today. So I will keep things short. 

My poem about flavor:

Vanilla Ice Cream

Cool and creamy–

hint of nougat,

pin dots of vanilla bean,

sugar bursts suspended in cream–

melt together

on the desert

of my summer tongue.

Heaven in a waffled cone.

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Note to Self:

So while the power was out–yet again!–there was time to finish a piece started days ago. 

As I sat on the upstairs balcony one day with the sky sprinkling some water our way, I was inspired by the view of the lagoon through trees and over rooftops. We haven’t lived here long, and I am not used to thinking about using the balcony for creating, especially since I need to lug out a chair when the weather is comfortable enough to sit outdoors. Taking out my sketch pad, I penciled in the hills, water, and a few of the trees. A day or two later, using my (limited) imagination and “artistic license,” I added a variety of Zentangle patterns to fill in the rest of the drawing. The intent was to use official patterns exclusively for the composition. 

[Note to reader: Since this was not a Zentangle meditation, I can talk about mistakes and what I learned. Since I am not only a rookie at any art form but also a rookie well past her prime, I don’t mind sharing my self-criticism and am not looking for sympathy or consolation. I am merely sharing my “thinking aloud” commentary.]

My first obvious mistake was to fill in the area behind the palm on the right with Tipple. It looked OK in pencil and without being completely filled in. In ink and fully filled, the choice was obviously wrong. I had used two busy patterns (Tipple and Verdigogh), one on top of the other–not a good choice, especially since I was particularly fond of that tree. Maybe this mistake is so glaring to me because of how I felt about the tree. The second mistake was to use Nipa for the background hill on the left. And then there are the rainbow and umbrellas, both of which are too bright and primitive. And the starfish don’t recede. And the balance is off. And…

[Note to self: Think of the whole composition, not just the immediate section. Plan accordingly.]

The biggest mistake relates to the color media and some of the colors themselves. Some of the colors are just wrong, like on that background hill. The Nipa pattern probably would have been fine if I had thought a bit more about the colors. Maybe my original thought was to use it partly as shadow, but I was too far removed from the original sketch to remember.

[Note to self: Keep timely notes on a piece as ideas surface.]

Regarding the media, almost every form of color was used to create this picture–a media blitz of classic Prismacolor Premier pencils, water-soluble Prismacolor pencils, Lyra Aquacolor crayons, Koi pan watercolors, and… Oh, wait. That’s it. Only part of my color arsenal. Only water-based media. (No oils or markers. No oil pastels. No acrylic color. No brush pens). It just feels like more because each day that passed added a different medium to the composition. I’d like to blame the erratic style on the excessive use of media, but it’s simply my lack of planning, even though I was experimenting. I should have changed some proportions and patterns long before I took Micron pen to paper. Still, far too many media, used over the course of several days, as I tried to figure out how to save at least a small part of what remained black and white. 

[Note to self: Decide on best media before and during pattern selection for final tangles; keep a balance between patterns and medium to be used. Plan.]

In fact, it looked better in black and white. I simply got carried away. 
[Note to self: Keep it simple!]

Happy tangling!

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Go F***** Yourself – 9 Tips

Here is a reblog of a fellow blogger’s tips to improve your blog and attract more readers. Thank you, Simply Marquessa.

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Why Authors Beg For Blurbs

Book blurbs, a writer’s experience…

theryanlanz's avatarRyan Lanz

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Before I got my first book published, a novelist I knew quipped, “The only thing worse than not being published is being published.”  I had no idea what he meant, but I soon figured it out.

Take blurbs. Begging for blurbs for your forthcoming book is a definite downside of being published. It’s humiliating to have to grovel for them rather than have your publisher take care of it. You can feel like Dorothy menaced in Oz.

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Intro to Poetry: Day 6 — Screen, Enjambment

The definition of Enjambment as a poetic device is a bit more complex and interesting than expressed in this class’s resource page. But the overall meaning is essentially the same. For some good examples from classic poets, click on the link in the quote below.

Functions of Enjambment

Enjambment can be used to surprise the readers by delaying the meaning of a line until the following line is read. Some writers use this technique to bring humorous effects to their work. It is good to use in verse in order to create a sense of natural motion.

In poetry, the role of enjambment is normally to let an idea carry on beyond the restrictions of a single line. Another purpose of enjambment is to continue a rhythm that is stronger than a permanent end-stopping wherein complicated ideas are expressed in multiple lines.

[From Literarydevices.net ]

The topic of today’s poem is “screen” in any of its usages. 

Although I am getting braver in my poetry, I continue to be startled–like a deer caught in headlights–by either the topic or the format. If you’ve read my previous poetry, however, you’ll find I use “Enjambment” a lot. It’s just a function of the way poetry was studied at my high school so many decades ago. Here is today’s attempt.

*

On Screen

Old photos stop, then disappear

On the TV screen. It is clear

That much of my life has swiftly flown,

Like the images–bright, full-blown–

In a flicker before my eyes,

As memory lives and dies.

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Intro to Poetry: Day 5–Imperfect, Limerick

Day 5 of Intro to Poetry has me writing a poem on the subject “imperfect.” It’s a topic about which I can generate tomes. The “try it” format is the limerick.

My decision is to write about the current foci of my blog space–writing and art–in my never-ending strife to improve.

Reflection on Perfection

My pen leads me to a reflection

Of my strife toward attaining perfection.

Still, errors abound

In my work all around,

As I’m thwarted by natural selection.

*

Trite blunders appear in my writing;

My artwork is far from exciting–

My words and tints crushed.

Ah! Perfection is just

An illusion of shadow and lighting.

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Frozen Zentangled

Here is some lovely Zentangles art from a fellow blogger. She explains how she proceeded, too–that’s the best part.

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Atlantis Award Poetry Submissions Welcome

Poetry award submissions notice, for those who are interested. Originally posted in The Poet’s Billow.

thepoetsbillow's avatarthe poet's billow

The Atlantis Award is given to a single best poem. The winning poet receives $200 and will be featured in an interview on The Poet’s Billow web site. The winning poem will be published and displayed in the Poet’s Billow Literary Art Gallery. Up to five finalists will be considered for publication.

We nominate for the Pushcart Prize, Best of the Net Anthology, and The Best New Poets Anthology.

To enter the Atlantis Award see our guidlines here.

Read previous year’s winners here: Literary Art Gallery

Don’t forget you can follow The Poet’s Billow on Facebook and Twitter.

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